Futura

July 27, 2014

Looking inside Guy Place Mini Park.

Looking inside Guy Place Mini Park.

Starting to feel like the old saying of having my ducks in a row.  After many hard and long weeks of organizing tasks, it’s positive yet strange to see a finish line.  Unfortunately, cannot predict the future and know if my work will be acknowledged immediately or later.  However, I understand that rewards come to those that understand the principle of patience.

Last week, I submitted my Guy Place Mini Park Proposal Narrative and board for a possible public art opportunity.  The board is created for the Rincon Hill neighborhood in San Francisco for view and comment.  I love that the community is involved and given the opportunity to be part of the process.  That makes the art the best possible to the meet the area’s needs.

I love Futura!

Futura rocks!

A minor issue occurred while prepping the image for printing for the public display board.  My favorite font in the world is Futura and the printing company didn’t have its file.  It has a clean and elegant look to it.  As a result, I’ve used it many times for exhibition booklets, postcards, and other marketing material.  Paul Renner, a German born graphic artist and author, designed the font.  One of my favorite feminist artists Barbara Kruger uses the Futura text in her images.  According to The Guardian it can be found in Hewlett Packard’s logo, NASA’s plaque on the moon, Volkswagen past advertisements, the cartoon series Futurama, IKEA’s former logo and in the late film director Stanley Kubrick’s movies.  Any other font just wouldn’t do and aesthetically I wanted the public board to be perfect!

Proposal Board.

Guy Place Mini Park proposal display board.

 

Speaking of trying to make everything just right, my design was purposely broken into four parts: history, patterns, lines, and light.  Rincon Hill’s history includes that it is one of the original seven hills in San Francisco and Rincón in Spanish mean corner.  Patterns include vertical shapes, clean straight edges, active streets, shadows created by filtered light, and amazing sweeping views.  My design’s color choice of metallic grey mimics the urban environment and columns in the park.  The lines in the artwork echoes the “X” shapes throughout the Bay Bridge, the front façade of the nearby Sailors’ Union of the Pacific, the windowless PG&E substation, the trees on Guy Place, and park’s features.  Finally, light and shadows are an important concept and medium in the design.  The lines are condensed at the bottom to gradually open to the sky similar to the nearby trees and buildings. This will create shadows that will change throughout the day, extending the artwork beyond its two-dimensional surface.

Rincon Hill's shadows.

Rincon Hill’s shadows.

From the font choice on the display board to the shadows in Rincon Hill, patterns emerge.  Details do matter at least to me.  They represent the history of my artwork, the community, its people, and our existence.  The Futura font is more than just another communication tool.  It’s apropos to life!

 

The links:

www.jennyebalisle.com

http://www.sfartscommission.org/pubartcollection/news/2014/07/25/public-art-proposals-for-the-guy-place-mini-park-on-display/

http://www.linotype.com/762/paulrenner.html

http://www2.palomar.edu/users/gkelley/PaulRenner.html

http://www.theguardian.com/artanddesign/gallery/2009/sep/02/ikea-font-futura?picture=352473558&morepage

Natural Interplay

July 20, 2014

Currently on view.

Currently on view.

On the banner in the front!

On the banner in the front!

Is there something wrong with me?  I love investigating and researching patterns.  When given the opportunity to do so at new venues and places- it makes this artist very happy!  Last week Friday evening was my opening at the Maude Kerns Art Center in Eugene, Oregon.  The exhibit also featured artists Ned Block and Ann Chadwick Reid.

Michael Fisher, the Exhibits Coordinator, titled the exhibit Natural Interplay.   According to the Center’s press release: “The exhibit explores the different ways these three artists relate to the natural world.  Balisle employs gestures, lines, and marks to observe the environment both up close and far away.  Block’ sculptures of birds and organic forms emphasize balance and motion.  And Chadwick’s intricately cut silhouette pieces are influenced by the plants, animals, and birds of the Pacific Northwest.”  It’s always interesting to see the curator’s vision on display.  Mr. Fisher did a masterful job:

A wonderful silence.

A wonderful silence.

A conversation between words, art, and shadows.

A conversation between words, art, and shadows.

Works were created based on the history and patterns of the Maude Kerns Art Center.  When visiting last December, the architectural features, worn wooden deck, and trees caught my attention by how light and time had made its mark.  Here are some examples:

The deck at the Maude Kerns Art Center.

The deck at the Maude Kerns Art Center.

 

More patterns of wood.

More patterns.

JBD.6.14.2077, 7x7 inches pen and ink drawing on 14x17 inches paper.

JBD.6.14.2077, 7×7 inches pen and ink drawing on 14×17 inches paper.

Trees outside of the MKC.

The trees outside.

JBD.6.14.2511, 5x11 inches pen and ink drawing on 14x17 inches paper.

JBD.6.14.2511, 5×11 inches pen and ink drawing on 14×17 inches paper.

Maude Kerns Art Center’s namesake represents a woman who was ahead of her time.  She painted bold and colorful abstract paintings not commonly found in California during the 1920s through 1940s.  Maude Kern was a pioneer in art but also in the classroom by urging students to paint to music.  Mini Bells in the Center’s publication about Maude Kerns states: “During her twenty-six years as head of the Normal Arts Department she had been appointed assistant professor and then associate professor, but never a full professor.  She attributed this to her sex, and she deplored the lack of progress in the lives of women.”  Maude Kerns was born in 1876 and died in 1965.

 

Outside of the MKC.

Outside of the MKC last December.

JBD.6.14.21013, 10x13 inches pen and ink drawing on 19x24 inches paper.

JBD.6.14.21013, 10×13 inches pen and ink drawing on 19×24 inches paper.

Maude Kerns: “It is time in life to really see and reflect on life and affairs of past, present, and future.  Time to get ready for the next adventure…”

Moving forward...

Moving forward…

Natural Interplay at the Maude Kerns Art Center, July 18 – August 29, 2014.

 

The links:

www.jennyebalisle.com

http://www.mkartcenter.org

http://www.mkartcenter.org/maude.html

300

July 13, 2014

Factor XX artists.

Factor XX artists.

In November 2009, I started the Factor XX blog.  It was conceived in part of chronicling my experience with organizing, curating, and participating in an exhibit at the Art Museum of Los Gatos.  4 ½ years later, today I reached the milestone of writing my 300th post.  It’s hard to believe how much life has changed in such a short time.

My writings have generated threats from art scammers to remove posts exposing their “real” intentions to sparking political debate.  I’ve shared exhibits at museums, philanthropic activities, my first mammogram, and turning forty.  Travels from Washington D.C. to Los Angeles have been part of the journey.  Oh the highs and lows of being an artist!

Two puppies.

Two puppies.

Grieving the loss of my beloved studio mate and biggest golden retriever on the planet Trout was a popular post.  Even today reading it again makes me tear up.  It’s amazing how one creature and soul made such an impact in a life.  It reminds me that each one of us has that potential.  Here’s the link: http://factorxx.wordpress.com/2013/08/11/goodnight-good-friend/

In the shadows, artist Hung Liu.

In the shadows, artist Hung Liu.

One entry described a visit to the Oakland Art Museum to artist Hung Liu’s Summoning Ghosts retrospective of amazing paintings.  After a failed attempt to view the exhibit, I thought it would be just another day at the museum.  That was wrong!  Leaving to go home, the artist herself was standing in the shadows texting.  Visitors were walking by critiquing the artist’s work without the knowledge of her presence.  It was quite interesting.  Here’s the link: http://factorxx.wordpress.com/2013/05/26/summoning-ghosts/

A pile of sh*t, black and white photograph, 2013.

A pile of sh*t, black and white photograph, 2013.

Can’t forget the pictures of my dog’s poop for a scam exhibition opportunity!  Of course the venue accepted them and wanted to display them for my money.  Every time seeing the photos, it makes me smile.  Some venues have no standards at all.  Spoiler alert: don’t trust everything to be art because it’s hanging on a wall for sale.  Here’s the link: http://factorxx.wordpress.com/2013/06/23/hot-mess-exihibtion-that-will-make-you-famous-part-3/

New beginnings...

New beginnings…

Can’t predict the future but do know that the posts will continue until mentally or physically unable to do so.  Here’s hoping to many more years of celebrations, aggravations, investigations, and ___________ (fill in the blank).  That is the goal!

The links:

www.factorxx.com

www.jennyebalisle.com

http://www.museumsoflosgatos.org/site/

http://www.kelliu.com

http://joannemattera.blogspot.com/2009/05/marketing-mondays-vanity-gallery.html

 

Sketches

July 6, 2014

Imagine what can be here at Guy Place Mini Park.

Imagine what will be here at Guy Place Mini Park.

The last three weeks has included intense research, formulating ideas, and creating sketches for the Guy Place Mini Park public art proposal.   This heightened level of work reminds me of the time preparing and prepping for the de Young Museum artist-in-residency last September.   I want to make sure that there will be no regrets and that everything was done possible to make the best design possible.

Being new to the “finalist” status process, my learning curve has been high.  However, I love the challenge.  It makes me a better artist, educator, writer, and advocate.  The San Francisco Arts Commission is streamlined and well-organized.  Every question has been answered with a positive and helpful attitude.  While other public art programs in the United States are barely surviving, this San Francisco program is the crème de la crème.

Once aware of the project, the research began.  This is normal for my art practice.  However, the design must respect and reflect the feel of the community.  As a result, made many trips to the area at different times of the day to see how the light filters throughout the neighborhood.  In addition, investigated the history and colorful past of its people.

Then the sketches started from small scratches in a book to large, clean, and meticulous finished drawings.  Finding patterns is my forte and the Rincon Hill neighborhood in which Guy Place Mini Park will reside is full of inspiration.  Here are some possible ideas for the front fence design:

Option #1.

Option #1.

Option #2

Option #2.

Option #3.

Option #3.

 

Option #4

Option #4.

Option #5

Option #5.

Option #6

Option #6.

Once a design is picked, a rendering will be created placing it in the context of the space.  A proposal narrative board is needed detailing the inspiration and explaining the proposed artwork.  That board will be displayed for the public and presented in early August to the commission.  They will listen to three different artist presentations, deliberate, and make their final selection/recommendation.

No matter the outcome and results, it’s an honor to be picked and I gave it my best.  That is what really counts.  My hope is that this opportunity opens the doors to new “challenges” and engages different modes of thinking.  That sounds like a good plan to me!

The links:

http://sfrecpark.org/project/guy-place-mini-park-rincon-hill/

http://www.sfartscommission.org

http://www.noehill.com/sf/landmarks/cal0084.asp

Betty

June 29, 2014

Where history was made.

Where history was made.

Betty Reid Soskin is 92-years-old young.  A milestone to make it to that age and have more energy than most of the human race.  Yesterday, I had the pleasure to hear Ms. Soskin talk at the Rosie the Riveter National Historic Park in Richmond, California.  It was a once in a lifetime opportunity to be inspired.

History in action.

History in action.

Soskin is the oldest National Parks Ranger in the United States and amazing role model.  She’s lived a colorful life and willing to share each moment in vivid detail.  Rosie’s Daughters organized the event and according to their website: “We started Rosie’s Daughters as a way to create a comfortable space in which to share our own stories and to listen to the experiences of other incredible women.  The name ‘Rosie’s Daughters’ was inspired by the iconic Rosie the Riveter – a symbol that originated in the Bay Area – and is a reminder to all of us to try new things, test our limits, and believe in ourselves.”

 A marker of the past.

A marker of the past.

Richmond was the wartime shipbuilding capital in World War II.  Different races and sexes united to produce ships to help win the war. The city experienced a surge of diversity and a major increase in population searching for opportunities.  Despite the racial tensions and discrimination, work was completed together to build a foundation for future generations.  Minorities were slowly given the “chance” at jobs not allowed to them in the past.  Women proved that they could do work considered only suitable for their male counterparts.  A time of crisis broke many racial and gender barriers.  The battle for equality continues today and Ms. Soskin declared that her job is “…helping to guard the authenticity of our truth.”

The Red Oak Victory built by women like

The Red Oak Victory built by a diverse coalition.

 

Ms. Soskin on view.

Best part of the exhibit.

From NBC Bay Area news: “But Soskin is more than just a tour guide.  She is living history, and considers herself a ‘primary source’ of information for the exhibit.  During World War II, Soskin worked as a clerk for the all-black Boilermakers A-36.  In the true sense of the word, she is not a  ‘Rosie,’ because that title is typically held for female wartime shipyard workers who were white.  Still, Soskin feels her views — and experiences as an African-American woman during World War II — are invaluable to the country’s collective wartime memory.”  She displayed no fear informing visitors of our nation’s truth.

Part of the interactive exhibit.

Interactive exhibit.

Soskin is our history and her legacy will continue to flourish in the future.  Her presence defines how the human spirit can push past adversity and succeed.  Thank you Ms. Soskin for a wonderful Saturday to remember.  Her tenacity and courage provides hope for us all.

The links:

http://www.rosiesdaughters.org/calendar/2014/5/25/a-conversation-about-change-with-betty-reid-soskin

http://www.rosiesdaughters.org/about/

http://www.safero.org/family/bettyreidsoskin.html

http://www.rosietheriveter.org/

http://www.nps.gov/nr/travel/wwIIbayarea/ric.htm

http://www.sfgate.com/bayarea/article/Ranger-s-voice-spans-East-Bay-history-3201533.php

http://www.nbcbayarea.com/news/local/Oldest-Full-Time-Park-Ranger-Betty-Reid-Soskin-Furloughed-226775401.html

 

Local

June 22, 2014

Finding lots of great art locally at the Richmond Art Center...

Finding lots of great art locally at the Richmond Art Center…

Former Speaker of the House Thomas O’Neill, Jr., coined the phrase that “all politics is local.”  The same sentiment applies to the art world.  A creative’s location greatly impacts opportunity, inspiration, and innovation.  I witnessed this first hand in my career and in others.  Artists that “succeed” are normally involved locally and not necessarily defined by money but a drive to improve community.

Frequently artists dream of being “discovered” resulting in all financial problems disappearing.  Unfortunately, most unsolicited opportunities include having to pay a fee to exhibit or be included in a publication that is “prestigious.”  Most of these so-called “big breaks” arrive to a large number of undisclosed recipients.  The artist isn’t special or unique.  A smaller bank account is the award via a predator behind a computer screen.

As a result, I encourage artists to spend their dollars locally.  Instead of falling for baseless scams, what if creatives banded together and made a pledge to invest in institutions that directly affect their neighborhood?  Then artists wouldn’t have to look outside to unfamiliar territories to build resumes or gain “experience.”  This would strengthen existing organizations with proven track records by supporting their existence.

The Richmond Art Center, Berkeley Art Center, and Pro Arts Gallery are three examples of trustworthy institutions that have consistently and truthfully supported the arts.  Each one offers exhibition opportunities, intelligent programming, artist talks, community building, and much more for a nominal membership fee.  A fraction of the cost compared to the overwhelming vanity tricks that spam an artist’s email inbox daily.

Here’s the proof and one example: currently on display at the Richmond Art Center is the Annual Members Show till August 22nd.  Take a look at the highlights:

Edythe Bresnahan's Siena Series #98 oil painting.

Edythe Bresnahan’s Siena Series #98 oil painting.

Bernadette Ngal's Reef made out of flex fiber.

Bernadette Ngal’s Reef made out of flex fiber.

Joyce Shon's FlipSide.

Joyce Shon’s FlipSide.

Look what I found! JBI.11.12.1987

Look what I found! JBI.11.12.1987 acrylic installation creating shadows.

Money talks but can have a stronger, louder, and more powerful voice when collectively put together to support a positive good.  Thinking locally can spread globally.  Working together to respect communities can transcend borders.  Attention: artists, galleries, patrons, and art lovers!  Let’s take the little money we have and send a clear message to scammers: no more!

The links:

http://www.nytimes.com/learning/general/onthisday/bday/1209.html

http://www.therac.org

http://www.therac.org/html/exhibitions.html#current

http://www.berkeleyartcenter.org

http://www.proartsgallery.org

Ready, Set, and Go!

June 15, 2014

 

Before photo of Guy Place Mini Park.

“Before” photo of Guy Place Mini Park.

The next few months will comprise of research and investigation: two of my favorite activities for this art geek.  If given a once-in-a-lifetime opportunity, I’m going to do whatever it takes to make it worthwhile with no regrets and no stone unturned.  With a recent opportunity to create a Public Art proposal, a leap in faith is in order.  This “chance” must be treated as a gift and not be taken for granted.

Immediately after finding out I was a finalist for the Guy Place Mini Park in San Francisco, let the festivities begin!  The location is right behind Local restaurant on First Street less than a block away from the on-ramp to Highway 80.  It’s a perfect space to create a natural oasis in an urban setting.

Looking down to opportunity...

Looking down to opportunity…

Did I mention that my husband is the best ever?  Last Saturday, he drove me to the Park’s location to obtain source images.  We walked around the large city blocks with my golden retriever puppy to get a “feel” of the community.  This is part of the thesis like process to discover patterns that define the area.

The park is located in the Rincon Hill neighborhood and its historical marker states: “A fashionable neighborhood in the 1880’s, Rincon Hill was the home of William Tecumseh Sherman, William C. Ralston, William Gwin, H.H. Bancroft and others.  By the 1880’s the hill, already partially leveled, became a working class district.  Today it is nearly invisible beneath the Bay Bridge.  This plaque is mounted on the retaining wall of St. Mary’s Hospital, built in 1861 but destroyed in the fire of 1906.”  Unfortunately, the plaque has been removed or destroyed.  After numerous attempts to find it, it appears to have vanished.  However, here are some discoveries made in Rincon Hill:

Lines of the PG&E building.

Lines of the PG&E building.

Patterns all around.

Patterns all around.

Under the Bay Bridge.

Under the Bay Bridge.

What makes this area special?  According to the San Francisco Arts Commission: “In 1969, the City and County of San Francisco was one of the first municipalities in the country to enact an Art Enrichment Ordinance.  It required that up to 2% of the gross estimated project cost of civic capital projects be spent on artwork.”  Supporting creativity produces environments of innovation.  Maybe instead of austerity and cutbacks, investment is in order.  This opportunity isn’t afforded in other parts of the country and why it’s home to me.

This is home.

This is mi casa.

This surely won’t be my last visit.  Regardless if my proposal is accepted or not, exploring an amazing slice of San Francisco is a reward.  Where this will lead in the future, have no idea.  What is known is that more research will be in order.  Which is perfectly fine with me.  That is when the “true” fun begins…

The Links:

http://sfrecpark.org/project/guy-place-mini-park-rincon-hill/

http://www.sfartscommission.org

http://www.noehill.com/sf/landmarks/cal0084.asp

Intersection for Funds

June 1, 2014

Has the arts been closed in your neighborhood?

Don’t close the doors on the arts.

Last week, had the rare opportunity to see firsthand how one city is fighting for the arts.  Economists, pundits, and writers claim we are in an improving economy (a.k.a. the new cash bubble).  But who is seeing the rewards?  Is the wealth being spread evenly?  Citizens are told that economy is getting better but how come it doesn’t feel like it?  Well, art organizations and cities are still searching for funds but their calls for help seem to be ignored.

I was allowed to sit in and observe the city of Richmond’s Arts & Culture Commission.  The beginning of the meeting started with Maryann Maslan’s beautiful opera singing voice.  Shortly afterwards, the board discussed tech applications, legal writings, workshops, mural projects, mini neighborhood grants, exhibits, and much more.  However, there appears to be a multi-million dollar deficit in the budget and all departments are expected to make cuts.  The little money going to the creative welfare of the people has just gotten smaller.

The arts provide results. Then why is it often the first on the cutting block, the last priority, or considered to be just an “extra”?  The positive effects include enhancing critical thinking skills, encouraging innovation, creating community pride, becoming an alternative to crime for youth, allowing individuals to express themselves authentically, and much more.

The Richmond Art Center has been supporting creativity since 1935.

The Richmond Art Center has been supporting creativity since 1936.

Intersection for the Arts in San Francisco delivered some disheartening news last week also.  The organization was established in 1965 and long known for bringing together various communities by creating intelligent discourse through its exhibitions and public art projects.  However, they are one of many that are closing, suspending services, asking for donations, laying off employees, and/or fading away into the sunset.

Again, the media continues to say that the economy is fine.  For the 1%?

Board Chair Yancy Widmer in a press release: “Intersection is at a turning point.  Like many nonprofit, grassroots arts organizations, our business model has long been fragile.  The Board has retooled Intersection’s community purpose to align with today’s needs.  Moreover, Intersection will work closely with key stakeholders to continue to support our role as a platform and an incubator for artists and community engagement.”

What is “today’s needs”?  Maybe it’s a world in which art is just a memory.  My fear is that a cultural shift of accepting the mundane has occurred.  This deficit in questioning and exposure to diversity will not lead to innovation and true universal prosperity.  It leads to nothing.  Meanwhile, the city of Richmond and organizations like Intersection for the Arts will continue scraping the bottom of the barrel for funds.  Fortunately, creativity doesn’t die that easily.

Art will never go away...

Here forever.

The Links:

http://www.ci.richmond.ca.us/index.aspx?NID=126

http://www.ci.richmond.ca.us/index.aspx?NID=603

http://www.ci.richmond.ca.us/index.aspx?NID=127

http://theintersection.org

Pretty Trashy

May 25, 2014

Got beauty?

Got beauty?

Last week Saturday was a perfect sunny day for a visit to the beach or a walk.  As a result, I went on a tour of San Francisco’s Recology.  The city’s trash ends up here.  The company sorts the garbage with a future goal in 2020 of zero waste in mind.  In addition, Recology has established numerous innovative practices to convert waste into positive use or treasure.

But can garbage represent beauty?  Well, yes it can.  According to their website: “The Artist in Residence Program at Recology San Francisco is a unique art and education program that provides Bay Area artists with the rare opportunity to create art from trash.”   During the tour, the group was introduced to two current artist in residents.  One was Jamil Hellu who is recreating scenes from discarded photos and memories into pieces of art.  The other was Matthew Gottschalk whose work includes the reenactment of a Moby-Dick narrative and diary through video, props, and puppets.

Artist Jamil Hellu shares his experience at the dump...

Artist Jamil Hellu shares his experience at the dump…

Artwork from previous Recology artists in residences:

Rick Carpenter's Titan made of brass handrail in 2004.

Rick Carpenter’s Titan made of a brass handrail in 2004.

Henri Marie-Rose's Funky Shack in the Woods made of found iron in 2006.

Henri Marie-Rose’s Funky Shack in the Woods made of found iron in 2006.

Wood Rocks made by Scott Oliver in 2008 of plywood, particle board, and oriented strand board.

Wood Rocks made by Scott Oliver in 2008 of plywood, particle board, and oriented strand board.

Artist Barbara Holmes used reclaimed lattice in 2008 to create Untitled I.

Artist Barbara Holmes used reclaimed lattice in 2008 to create Untitled I.

Part of the tour included the Sculpture Garden featuring over 35 pieces made from trash.  Marta Thoma’s piece was a highlight:

Earth Tear by Marta Thoma in 1993.

Earth Tear by Marta Thoma in 1993.

Pictures weren’t allowed in the sorting areas, hazardous material drop off, and “the pit” where all the garbage that can’t be recycled resides.  That trash is placed into a truck and dumped into the city of Livermore’s landfill across the Bay.  The sheer scale of everyday waste is amazing. However, San Francisco keeps 80% of their garbage out of the landfills, which is the highest rate in the country.  If I saw this much waste here- what is it like in other states and globally?

The CBS television show 60 Minutes recently featured a story called The Recyclers: From Trash Comes Triumph about a poor “slum” community in Cateura, Paraguay that receives 1500 tons of solid waste each day.  The small town’s only industry is sorting the trash of its country due to large landowners kicking people off their plots.  Favio Chavez, an environmental technician, started a children’s music school with instruments made from garbage.  Now his student’s are playing all around the world and have hope for better lives.  He saw a need and expressed to reporter Bob Simon: “These are children that were hidden, nobody even knew they existed.  We have put them on a stage and now everybody looks at them and everybody knows they exist.”

Change starts at home first.

Change starts at home first according to artist Erik Otto.

Humans should be known for making this planet a better place to live instead of encouraging its destruction.  We can live in a zero waste world and hope I’ll be alive to see it.  Companies like Recology and individuals like Favio Chavez should be commended for their creative efforts.  It’s now our turn to our part this holiday weekend.  Recycle doing nothing into change and/or art!

The Links:

http://www.recologysf.com

http://recologysf.com/index.php/next-art-exhibition

http://www.pbs.org/newshour/bb/climate-change-jan-june13-recycling_01-25/

http://www.matthewgottschalk.com

http://www.jamilhellu.net

http://www.cbsnews.com/news/recyclers-from-trash-comes-triumph-2/

http://www.landfillharmonicmovie.com

http://www.youtube.com/watch?v=gGbX5K2qorQ

http://www.youtube.com/watch?v=Pwu9h6Pkb-Q

http://www.youtube.com/watch?v=0-9jyJob0ys

http://www.youtube.com/watch?v=D59nFh5wNlw

http://www.youtube.com/watch?v=fXynrsrTKbI

SAN FRANCISCO IS IT

May 18, 2014

Susan O'Malley's art greets visitors.

Susan O’Malley’s art greets visitors.

An art fair has stormed into town.  Art Market San Francisco is on display and ready for visitors in the Fort Mason Center.  Having been to events like this in other cities, the Bay area has its own aesthetic signature.  With 70 galleries showcasing works in one spot, I couldn’t help but be curious and didn’t want to miss the viewing opportunity.

Let the journey begin.

Let the journey begin.

Last weekend, the local Fox network KTVU featured co-founder of the fair Max Fishko on the television show Bay Are People.  Fishko is a third generation gallerist from New York City and is passionate about art.  He stated that: “…every single person will find something that turns them on.”  Indeed Mr. Fishko was right and here are the highlights:

Adam Belt's Through the Looking Glass (after the Giant Magellan Telescope).

Adam Belt’s Through the Looking Glass (after the Giant Magellan Telescope).

A closer look of Belt's work.

A closer look of Belt’s work.

The amazing wire work of Sophie DeFrancesca's Make A Grand Entrance.

The amazing wire work of Sophie DeFrancesca’s Make A Grand Entrance.

The lines of Mel Prest.

The lines of Mel Prest.

The paper cuts of Tahiti Pehrson.

The paper cuts of Tahiti Pehrson.

Fabric stretched on bars for artist Anna Virnich.

Fabric stretched on bars for artist Anna Virnich.

The wonders of Val Britton's ink.

The wonders of Val Britton’s ink.

Draped Painting #6 of Margie Livingston.

Draped Painting #6 of Margie Livingston.

Derrick Velasquez uses gravity to manipulate his art.

Derrick Velasquez uses gravity to manipulate his art.

An art fair wouldn't be complete without Hung Liu.

An art fair wouldn’t be complete without a Hung Liu.

In an interview for the de Young Museum’s blog, Max Fishko states: “Every city is unique.  San Francisco has a fabulous community of dealers, artists, institutions and collectors that help one another tremendously.  San Franciscans are very proud of their city, fiercely so.  I think that there is a civic pride and a dedication to the historical identity of San Francisco as both a city and cultural catalyst that helps define the community here for me.”  Not all the galleries featured at the fair were local but the majority of my favorite pieces were.  Looks like I’m in the right spot to create and be inspired.

Carolyn Meyer's Bridge for my husband's birthday.

Carolyn Meyer’s Bridge for my husband’s birthday!

The Links:

http://artmarketsf.com

http://www.ktvu.com/weblogs/bay-area-people-episodes/

http://www.ktvu.com/weblogs/bay-area-people-episodes/2014/may/07/ktvu-51014-51114/

http://deyoung.famsf.org/blog/conversation-max-fishko

http://susanomalley.org

http://quintgallery.com/artist/adam-belt/

http://debellefeuille.com/defrancesca-sophie/

http://www.melprest.com

http://www.tahitipehrson.com

http://valbritton.com

http://margie.net

http://www.derrickvelasquez.com

http://www.kelliu.com

http://carolynmeyerart.com

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